In this workshop we will explore the dynamic entanglement of architecture and artistic practice within academic research. What is often seen as separate—creative practice versus writing and critical reflection—can in fact form a unique feedback system. In this space, spatial exploration, field work, experimentation, intuition, and reflection intersect and evolve, often through public presentations and open dialogues that accompany ongoing research projects. Rather than reinforcing disciplinary boundaries, the interplay between architecture, art and academic writing opens up a productive force field in which representational strategies can be challenged and reimagined. This convergence fosters new modes of inquiry that are both theoretically grounded and materially engaged. Together with our invited guest, Marc Duncan we will discuss particularly documentary film practice. PhD candidates will present their research projects and films.

Max Duncan is an award-winning filmmaker, cinematographer and journalist whose work has appeared on platforms including the BBC, PBS, The Guardian, The New York Times and Al Jazeera and screened at major international festivals. He worked for a decade in China, first for Reuters news agency in Beijing and then independently, and has reported widely across Asia (including multiple trips to North Korea), Africa, Europe and Latin America. Max has received recognition including a World Press Photo Award, been supported by organizations including Pulitzer, and is an alumnus of Yaddo and Logan Nonfiction programs. His first feature documentary, Made in Ethiopia, was awarded the Special Jury Mention at Tribeca Festival 2024.

Image: Film Still from "Made in Ethiopia" directed by Max Duncan and Xinyan Yu, 2024